102 Royalty-Free Audio Tracks for "Universal Audio"

Mastigando pipoca. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Eating popcorn. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

Mantigando salgadinho. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Eating crisps. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

Mastigando bolacha. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Eating a biscuit. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

Mastigando maçã. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Chewing an apple. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

I set my mics up just in time to catch this loud thunder crash during a recording session. I aimed a stereo-matched pair of akg 451s out the window in an x-y configuration and ran them into a universal audio 2-610 preamp. There are no effects at all.

The start-up music from a ms. Pacman machine at twice the speed, from a machine at the musee mecanique on fisherman's wharf in san francisco. Recorded with a m-audio microtrack 24/96 held next to the machine and edited using audacity.

Mastigando macarrão. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador neumann. Slurping a spaghetti. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: neumann's condenser microfone.

Paisagem sonora de um restaurante. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador zoom. Soundscape of a restaurant. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: zoom's condenser microfone.

Paisagem sonora de uma cafeteria. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador zoom. Soundscape of a coffee shop. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: zoom's condenser microfone.

Gravação feita em estúdio. Foi utilizado um grampeador. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. A stapler was used. Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.

Paisaje sonoro del campus de la universidad europea de madrid. Un audio de dos minutos aproximadamente que describe el entorno en la facultad de ciencias del deporte, en la uem. European university of madrid campus soundscape. This is a two minute audio that describes the atmosphere at the school of sports sciences at uem.

John Philip Sousa's Suite from The American Maid: "With Pleasure-Dance Hilarious" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

Gioachino Rossini's William Tell Overture (1829) on the Grand Scenes (2000) album performed by the United States Marine Corps Band, recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia. Ranz des Vaches begins at 5:14 and finale at 7:30.

John Philip Sousa's Suite from The American Maid: "Dream Picture-Bivouac" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

The march "On Jersey Shore" by Arthur Pryor (1904), performed by the United States Marine Band. Recorded Thursday, November 7, 2002 at the University of Massachusetts-Amherst Fine Arts Center Concert Hall as part of the 2002 National Concert Tour. Colonel Timothy W. Foley, conducting.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

John Philip Sousa's Suite from The American Maid: "You Do Not Need a Doctor" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

Paisagem sonora de uma cozinha. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador zoom. Soundscape of a kitchen. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: zoom's condenser microfone.

One of a series of recordings of a delightfully squelchy toy. Bringing my microphone up close to this toy, i found myself in a world of deep, squishy mud. Recorded with a rode nt1 into a universal audio arrow.

One of a series of sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I felt like the expulsion of air made a nice swishy ui sound. Recorded with a rode nt1 into a universal audio arrow.

first published Australia 1857 Music George W. H. TOLHURST (probably William Henry, father of en:George Tolhurst (see "Tolhurst family", Graeme Skinner, University of Sydney) Lyrics: Eliza Cook Bahasa Indonesia: Lagu Australia romantis berjudul Hati yang betul. Ditulis 1857

[game_over_01_remastered. Wav]. Game over. This was my first sound ever here. . . This sound was originally created for our game that we made during our university game jam back in the days. . . I had the pleasure to work with the kindest, most efficient, passionate, awesome, upbeat folks at campus; a group of 5 members altogether. The game was called "bombers please". At the end of the day, it was dark outside, the whole university-building was empty, dark and had some spooky corridors/halls, and we were still there. Just before we were about to leave the building, we took the audio room and recorded my voice instantly so we could use this sound the next day for the game (the university game jam lasted for 1,5 days). We had uncontrollable laughs during the making of this !. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Gravação feita em estúdio. Foi utilizado clipes (tamanho: 6/0). Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. We used clips (size: 6/0). Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

Recording with a universal audio apollo x and sontronics stc-1 stereo matched pair with ortf config. Recorded on may 8, 2021, at 9:30 am. Time of day when there were more birds in this area. It is a true symphony of birds. Sometimes you hear people talking in the distance and lawnmowers.

O Holy Night performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from A Christmas Festival (1997). This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton

The Show Boy performed by the Concert Band of the United States Air Force Band. Track 9 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

A Warrior Bold performed by the Concert Band of the United States Air Force Band. Track 19 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Knights of the Road performed by the Concert Band of the United States Air Force Band. Track 10 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Invictus performed by the Concert Band of the United States Air Force Band. Track 15 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2]

[game_over_02. Wav]. [game_over_01_voices. Wav]. [game_over_01_terminal. Wav]. [game_over_01_lost_consciousness. Wav]. Game over. This sound was originally created for our game that we made during our university game jam back in the days. . . I had the pleasure to work with the kindest, most efficient, passionate, awesome, upbeat folks at campus; a group of 5 members altogether. The game was called "bombers please". At the end of the day, it was dark outside, the whole university-building was empty, dark and had some spooky corridors/halls, and we were still there. Just before we were about to leave the building, we took the audio room and recorded my voice instantly so we could use this sound the next day for the game (the university game jam lasted for 1,5 days). We had uncontrollable laughs during the making of this !. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

Gravação em estúdio. Foi utilizado uma caixa de grampos. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. A staple box was used. Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

This audio was recorded from my balcony in downtown denton, texas near the university of north texas at 6:30am in the morning, just after the sun had risen. All sorts of birds can be heard in the nearby trees. A car drives by in the distance, splashing through a puddle, and at the close of the recording, i walk inside, shut the door, and turn off the sony icd-ux512 voice recorder.

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

Gravado em estúdio feito em garrafa de água contendo alguns grãos de arroz. Recording in studio made with a bottle of water containing some grain of rice. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Gravado em estúdio feito em uma garrafa plástica de álcool contendo alguns fios de macarrão. Recording in studio made with a bottle of alcohool containing pasta wires. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Gravação em estúdio feito em uma embalagem de alumínio contendo alguns grãos de milho fechada com papel. Recording in studio made with a packing of aluminium containing corn grain closed with paper. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

A wonderful background of a busy college campus during finals week. I love how the scattered fragments of conversation show inspiration in young people. You will also hear some beautiful wind, footsteps, and some recently arrived spring migrants who are just as excited about the new semester and the humans. Recorded in april of 2017 in a beautiful wooded walking path in the middle of a major midwest university. Listen, enjoy, and think back to the times when we were young, and excited about the future. . . . About learning new things. . . . I find this snapshot quite inspiring and invigorating. Recorded with sound devices 702 and the amazing audio technica bp4025 stereo microphone.

This sound was made with a little rock being dragged on a wooden box. It is perfect for giving the impression that something heavy is being dragged on the floor, or maybe a rock is being dragged. It can also be used as if someone is being asphyxiated. (esse som foi produzido com uma pequena pedra sendo arrastada por uma caixa de madeira. É perfeito para dar a impressão de que algo pesado está sendo arrastado no chão, ou que apenas uma pedra está sendo arrastada. Também pode dar a impressão de que alguém está sendo asfixiado. ). Recorded for the subject of audio capture and edition, from the tv and radio course of university anhembi morumbi, sao paulo – sp. Brazil. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.

December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*